On Damn Love, Kip Moore continues the trajectory he laid out on Wild World – where he dove deeper into the rockier edges of his vocal and sound. Damn Love is a gorgeously cohesive album that shows album craft is still alive and well. An album that should be listened to from start to finish, as the artist intended – taking you on a journey of love and loss, watered down in a bar with a hefty dose of whiskey whilst dwelling on life’s complications and joys. Moore himself talks of Damn Love, ‘I’ve always had a nomadic spirit, at the core of me that’s what I am, and it’s a beautiful life I lead – I don’t take that for granted… But I still crave that companionship down deep in my DNA, and that’s where ‘Damn Love’ comes from.’ It’s that tension that runs through as the central tenet of this record and one that makes it so sonically and lyrically interesting.

Moore has always been an extraordinary live performer and there’s a hefty dose of that in evidence on Damn Love – from the anthemic ‘Heart on Fire’ to the thrumming, driving beats of ‘Silver and Gold.’ Nowhere is that energy more evident though than on the title track – a rocking thrumming song about the nature of love, it’s quirks and loveable flaws. ‘It’s sunsets and cold cans / It’s falling hard but college plans / Got you faking that smile / But you can’t let go of her hand / It’s a goodbye kiss and taillights / It’s phone calls and late nights / It’s what I wouldn’t give to be tongue-tied one more time.’ The album lays out the roadmap for the rest of the album – a signature rock-infused country track, where Moore yearns for love.

There are a decent amount of filler tracks on the album – including ‘Kinda Bar’ and the troubadour crooner ‘The Guitar Slinger,’ but it’s the sweet spot where Moore’s yearning for love meets with his electrifying rock-edged tracks that sear. So, on ‘Neon Blue,’ he sings of the world moving on without him as he continues his travelling ways – ‘Cos the world just don’t wait on no cowboy like me‘ – and on ‘Heart on Fire,’ backed with a thrumming beat, he delivers an addictively good rocking track about seduction, with the refrain ‘come get this heart on fire.’ There’s a vintage feel and echoes of his country roots that reverberate throughout the record, like on the 70s tinged rock ballad ‘Another Night in Knoxville.’

Where Moore has matured and grown over the past few albums has been in his quieter, more sentimental tracks that feel less cliched than his earlier tracks like ‘More Girls Like You.’ Now, he delivers the beautifully tender ‘Sometimes She Stays’ dripping with regret as he muses on a lost love. ‘Sometimes she stays, sometimes she goes / And that’s when you know, you want her to stay.’

The final quarter of the album is no doubt where the true magic lies, beginning with a sublime duet with Ashley McBryde – ‘One Heartbeat’ – that may be the finest on the record. It’s an electrifying song of yearning and hope for love. ‘One heartbeat and you got nothin’ / Make it two, baby you got somethin’ / This world ain’t meant to travel on alone.’ The raw edges of both Moore and McBryde’s vocals are sublime together.

‘Mr Simple’ is Kip Moore at his finest vulnerability, being happy with the simple side of life with his girl. ‘Why complicate it when it’s so easy to do? / Just call me Mr. Simple, girl / Livin’ simple with you.’ It’s the celebration of the small and everyday parts of life that is where Moore excels, as he rounds out the album with ‘Micky’s Bar’ – a good old country song that sings about the everyday comings and goings of life at its namesake. ‘Last call for drinks, it’s closing time / Micky’s wiping down, Sheri makes the coffee / For all the cold and lonely hearts.’

On Wild World, Moore laid out his heart, flaws and vulnerabilities in ways he had not previously done, and its this journey of personal reflection he continues on Damn Love, painting a picture of himself as a travelling soul but one with regrets and failings, amidst an internal tug of war between settling down and life on the road. Sonically, Moore is quieter, more intense and rock-fuelled than on the earlier records of his career, yet allowing more space for quieter moments of reflection that tie the album seamlessly together.

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Ahead of the release of his new studio album, Kip Moore has mapped out his DAMN LOVE WORLD TOUR today, announcing his headlining fall tour in the U.S. with special guests The Cadillac Three. Moore will return to major cities overseas and some for the first time, kicking off in Bloomsbury, Australia on March 11. Moore is slated to headline shows in Australia, New Zealand, South Africa, the U.K. and Europe, many of which are already sold-out in advance.  Tickets for the DAMN LOVE fall tour will be available to purchase this Friday, March 10 at 10am local time at kipmoore.net.

Moore’s fifth studio album DAMN LOVE releases April 28 and is available to pre-order now. Over 13 new tracks co-produced by Moore and Jaren Johnston (The Cadillac Three), emotionally raw and thick with epiphany, Moore explores an internal tug of war and puts it simply enough: Damn Love. Moore just shared the bittersweet love story behind the album’s title track, in the official new music video for the track out now.

DAMN LOVE WORLD TOUR official dates:

3.11.23 – Bloomsbury, Australia – Dittmann Bull Pit Country Fest

3.15.23 – Melbourne, Australia – Margaret Court Arena

3.16.23 – Sydney, Australia – Horden Pavilion

3.18.23 – Ipswich, Australia – CMC Rocks

3.21.23 – Auckland, New Zealand – Auckland Town Hall

3.26.23 – Pretoria, South Africa – Loftus Versfeld Stadium

4.1.23 – Cape Town, South Africa – GrandWest Grand Arena

4.2.23 – Cape Town, South Africa – GrandWest Grand Arena

4.16.23 – Florence, Arizona – Country Thunder

5.13.23 – Hamburg, Germany – Grosse Freiheit 36

5.14.23 – Cologne, Germany – Die Kantine

5.17.23 – Amsterdam, The Netherlands – Melkweg

5.19.23 – Birmingham, United Kingdom – O2 Institute Birmingham

5.20.23 – London, United Kingdom – Royal Albert Hall

5.21.23 – Leeds, United Kingdom – O2 Academy Leeds

5.24.23 – Gateshead, United Kingdom – Sage Gateshead

5.25.23 – Manchester, United Kingdom – O2 Ritz Manchester

5.26.23 – Glasgow, United Kingdom – O2 Academy Glasgow

5.27.23 – Belfast, United Kingdom – Botanic Gardens

6.3.23 – Chesterfield, VA – After Hours

6.4.23 – Crownsville, Maryland – Let’s Go! Music Festival

6.9.23 – Hyannis, Massachusetts – Cape Cod Melody Tent

6.10.23 – Cohasset, Massachusetts – South Shore Music Circus

6.11.23 – Webster, Massachusetts – Indian Ranch Amphitheatre

6.18.23 – Manchester, Tennessee – Bonnaroo Music and Arts Festival

6.23.23 – Virginia Beach, Virginia – Beach It! Country Music Festival

7.2.23 – Columbus, OH – Flannagan’s Dublin

7.7.23 – West Fargo, North Dakota – Red River Valley Fair

7.8.23 – New Salem, North Dakota – ND Country Fest

7.14.23 – West Salem, Wisconsin – Country Boom Festival

7.15.23 – Pierz, Minnesota – Pierz Freedom Fest

7.27.23 – Cheyenne, Wyoming – Cheyenne Frontier Days

8.11.23 – Elkhorn, Nebraska – The Club at Indian Ranch

8.19.23 – Calgary, Alberta – Country Thunder Alberta

8.24.23 – Saginaw, Michigan – Huntington Event Park*

8.25.23 – Cedarburg, Wisconsin – Country In The Burg

8.26.23 – Mankato, Minnesota – Vetter Stone Amphitheater*

9.7.23 – Stockton, California – Bob Hope Theatre*

9.8.23 – Anaheim, California – House Of Blues Anaheim*

9.9.23 – San Diego, California – SOMA San Diego*

9.14.23 – Park City, Kansas – Hartman Arena*

9.15.23 – Pueblo, Colorado – Pueblo Memorial Hall*

9.16.23 – Grand Junction, Colorado – Las Colonias Park Amphitheater*

9.21.23 – Rochester, New York – Kodak Center*

9.22.23 – Wilkes Barre, Pennsylvania – F.M. Kirby Center for the Performing Arts*

9.23.23 – Johnston, Pennsylvania – 1st Summit Arena at Cambria County War Memorial*

9.28.23 – Reading, PA – Santander Arena*

9.29.23 – Charleston, West Virginia – Charleston Municipal Auditorium*

9.30.23 – Toledo, OH – Stranahan Theater*

10.21.23 – Kissimmee, Florida – Country Thunder Florida

11.10.23 – Evansville, Indiana – Victory Theatre

11.11.23 – Manistee, Michigan – Little River Casino

*The Cadillac Three will open

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Multi-platinum singer/songwriter Kip Moore has announced a string of headlining shows in the UK & Europe for spring 2023. The star, who has captivated the UK audience since his first trips to the UK, will kick off the tour in Hamburg, DE on May 13. Tickets go on sale on Friday, December 9 at 10am GMT at kipmoore.net.

As part of this international tour, Moore will also headline the inaugural Country and Americana festival, Highways, taking place at London’s historic and iconic Royal Albert Hall on Saturday, May 20. The evening’s stacked line-up also includes Morgan Wade, who Moore recently collaborated with on his track “If I Was Your Lover”, as well as Jackson Dean and Stephen Wilson Jr. Tickets go on sale 10am on Friday, December 9 at LiveNation.co.uk and RoyalAlbertHall.com.

Of the shows, Moore shares,“We’ve made it a big priority to keep coming back to the UK and Europe over the years. We feel a genuine connection with the fans there, and I’m looking forward to playing some new cities for the first time, too... To get to headline the Royal Albert Hall and launch the Highways festival is a true bucket list moment for me. The Royal Albert Hall is so legendary, I feel very grateful to get to play there.” 

KIP MOORE LIVE: UK HEADLINE DATES MAY 2023:-

19 Birmingham, O2 Institute 
20 London, Royal Albert Hall
21 Leeds, O2 Academy 
24 Gateshead, Sage 
25 Manchester, O2 Ritz
26 Glasgow, O2 Academy  
27 Belfast, Botanic Gardens 

For more information, visit kipmoore.net, and follow Moore on Twitter, Facebook, Instagram and TikTok. 

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Kip Moore has shared a new version of his recently released track “If I Was Your Lover” with vocals from acclaimed new artist Morgan Wade, available to listen here. Wade initially co-starred in the music video for the track alongside Moore, and following fervent fan requests for Wade to feature vocally, the pair hit the studio together to re-record the song.

Co-written by Moore with Matt Bubel, and co-produced with Jaren Johnston (The Cadillac Three), “If I Was Your Lover” garnered immediate attention from fans and critics for its ear worm qualities and accompanying sultry music video. 

Moore recently shared his electrifying new track “Fire On Wheels.” The song is a volume-up, groove-driven anthem that embodies the energy of Moore’s life out on the road as Moore currently undertakes his multi-city headlining FIRE ON WHEELS TOUR. Moore has invited special guests Boy Named Banjo to join him this fall, on the trek that will see Moore bring his renowned live show to cities across the country, as well as a stop in Canada. Fans can purchase tickets now at kipmoore.net.

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Kip Moore has released the official music video for his fan-favorite track and current single “Crazy One More Time (Revisited).” The clip gives fans a look behind the curtain at Moore’s creative process in the studio, and spotlights a powerful performance from the UK fan favourite singer, following his performance at C2C Festival.

Making good on a long-time back and forth with his loyal fanbase, Moore hit the studio to put a 2022 update on the track originally featured on his widely celebrated debut album UP ALL NIGHT. The song has gone on to grow a life of its own over the past ten years, becoming one of the most requested songs during Moore’s signature live show. “Crazy One More Time” was co-written by Moore with Chris Lindsey and Aimee Mayo.

Recently making his long-anticipated return to C2C: Country to Country Festival, Moore’s set was praised as “nothing short of masterful” (Your Life In A Song), as he proved again, “Kip was born to be on the stage.” (Building Our Own Nashville). Next up, he will crisscross the US on the road this spring and summer for headlining shows and high-profile festival appearances. For a full list of tour dates and ticket information, visit http://www.kipmoore.net/tour.

Moore has toured the world earning acclaim and a rabid fanbase as an all-in performer in each setting, consistently selling out headlining shows internationally with huge followings in the U.S, the U.K, Europe, Australia and Canada. Moore has blazed his own trail, with “a bit more Southern rock than traditional country… to be a Kip Moore fan suddenly became a marker of your having a certain refinement in your country-music taste” (Chicago Tribune). Moore first splashed into the mainstream with the double-Platinum “Somethin’ ‘Bout a Truck” in 2012, then followed up with three more best-selling No. Ones (“Hey Pretty Girl,” “Beer Money” and “More Girls Like You”), a trio of ambitious, critically-praised albums and two gritty EPs that landed Moore on multiple “Best Of” lists. Moore recently garnered resounding acclaim for his fourth studio album, WILD WORLD. For more information visit kipmoore.net.

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UK fan favourite Kip Moore is making good on a long-time back and forth with his loyal fanbase, re-releasing fan-favourite track “Crazy One More Time (Revisited)” to country radio in the US on Monday, January 24th. The original version was released as an album track on Moore’s widely celebrated debut album UP ALL NIGHT, and has gone on to grow a life of its own over the past ten years, as one of the most requested songs during Moore’s signature live show and over 20 million streams to date. Co-written by Moore with Chris Lindsey and Aimee Mayo, Moore hit the studio to put a 2022 update on the track, available to listen on all streaming platforms today HERE.

“The initial idea for ‘Crazy One More Time’ came about after running into someone that I hadn’t seen in years, and someone that I had a lot of history with,” shared Moore. “That’s kind of how I feel about this song right now, there is a history there, but now it has this new life sonically since we went back in the studio and recut it. This song has evolved over the years thanks to the fans. When we play it at shows the fans sing it as loud as my biggest songs, and if I don’t play it it’s the one that I get requested to play the most. I’m excited to go on this journey with this track at country radio.”

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Singer/songwriter Kip Moore has dropped the brand new single, Good Life, available to listen here. Stepping into the studio for the first time with renowned producer Jay Joyce (Eric Church, Miranda Lambert, Keith Urban), the new track sees Moore shift gears sonically for the windows-down, volume-up anthem. Co-written by Moore with Dan Couch and Joyce, Good Life embodies a snappy self-awareness and an appreciation for living in the moment, with a soul-driven groove. The track is the first single taken from Moore’s fifth studio album, and offers a look into a new upcoming chapter from the critically-acclaimed singer/songwriter.

“I haven’t been this fired up about new music in a good while”, shared Moore. “I’m always trying to push myself out of any comfort zones that I may have settled into during the previous project, and I think working with Jay definitely helped me with that. I wrote this song and many more while surfing this past winter and I can’t wait for the fans to hear what’s coming.”

Moore’s new single Good Life follows the resounding acclaim garnered for his fourth studio album, WILD WORLD. The set, co-written and co-produced by Moore, was spotlighted by critics as “especially vital; occasionally, even rare,” (Esquire) and spawned his most recent single, She’s Mine. “When programmed beats and pop-influenced country is the sound of the moment, Moore’s heartland country-rock songs with his growling voice feel muscular, nostalgic and honest” declared Associated Press. 

The post SINGLE REVIEW: Good Life – Kip Moore appeared first on off the record.

Wild Ones (2015)

From start to finish Wild Ones was a flawless record, crafted with Moore’s signature anthemic sound and lightly stripped back moments – as a record in its entirety it was sequenced to perfection, however it didn’t have the same number of hits as his other records, hence we’re placing it here in our rankings.

Up All Night (2015)

Kip Moore’s debut record created so many of the mammoth live moments that his live set is now famous for, including ‘Beer Money’ and ‘Somethin’ Bout a Truck’ but it didn’t have quite the same level of nuances and vulnerability that he showcased in his later records.

Slowheart (2017)

Slowheart resulted in some of the biggest hits that we’ve come to associate with Moore’s name, including ‘Plead the Fifth’ and ‘Bittersweet Company’ – a mammoth record that showed Moore’s continuing ability to churn out quality records over and over again and really shining a spotlight on his vulnerable and tender side.

Wild World (2021)

On Wild World, Moore really pushed out the boat in showing his vulnerable side, the result is something truly magical, a record that will stick with you as a perfectly crafted sonic experience. It is a pity that the record hasn’t been toured live yet, we can’t wait for the live retelling because this was a seminal moment in the trajectory of Moore’s career.

Follow Kip Moore on Instagram | Twitter | Facebook 

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Kip Moore has always been known for providing a rip-roaring and hell-raising live performance – as he has demonstrated both at The Long Road and at C2C. Moore has an ability, like no other, to translate that raw, live energy into his studio records, time and time again. Wild World – his 2020 release – was no exception, providing huge hits like ‘Southpaw,’ ‘Janie Blu’ and ‘She’s Mine.’ You’d be hard pressed to find a bad track on the record that would not be a smash success live.

Now, tomorrow Moore will release four tracks to this impressive collection, rounding out the Wild World era, including the pre-released track ‘How High.’ The four tracks as a body are classic Moore, rip-roaring, gritty rock-filled and pacy tracks whose lyrics are imbued with a surprisingly raw tenderness, the stand-out of which is beyond a doubt the final number ‘Man’s Gotta Do.’ The first new track, ‘Don’t Go Changin’ is a well-trodden path for Moore, urging a lover not to change, incredibly reminiscent sonically of ‘Last Shot.’ It’s an edgy rock-fuelled love letter, with tender, pleading lyrical moments like, ‘World is turning crazy / I’ll stay your boy, you stay my lady. So don’t go changin’ on me baby.’ Similarly tender is following track ‘Midnight Slow Dance’ about wanting to get to know a lover – a follow-up to ‘She’s Mine.’ The track is pacy and driving, with a fiery guitar beat that feels frenetic. ‘Want to feel what’s in your heart / Brush against your lips..’ and almost feels like a yearning for a pre-pandemic time.

‘How High’ is a flawless vocal moment for Moore, showing the depth of his gritty tone. It’s a simmering track that sears with the addictive quality of love, moving with a swagger as he sings, ‘Red balloon, let it go, watch it rise ’til the jet stream blows… Girl that’s how high I get on you.’ Moore then takes the pace down a notch for the final track on the record – ‘Man’s Gotta Do.’ It’s a bittersweet and pensive track that feels raw and authentic – a classic country storytelling song, telling the story of a father explaining divorce to his son and the story of his son’s life after – all about the curves in life’s journey. ‘Sometimes a ride don’t go as you planned / No matter how hard you tried it’s out of your hands… Sometimes a boy’s gotta do what a man’s gotta do.’ It’s a contemplative, stunning track, filled with regret, nostalgia and understanding. It feels fitting in message for the present moment and is one of Moore’s best lyrical moments, a perfect and fitting end to the deluxe version of the record. The four additional tracks on Wild World are powerful, showcasing the range of Moore, however it is this final track that carries the entirety of the four – let us hope it gets the attention it deserves in the coming months.

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20. Cam – The Otherside

This year, Cam made her long-awaited and majestic return to the scene with The Otherside. A pop-tinged country record with a weighty agenda, with masterfully crafted songwriting including cuts from Sam Smith and Harry Styles.

Stand-out Tracks: ‘Forgetting You When I’m Alone’ / ‘Like A Movie’

19. Maddie & Tae – The Way It Feels

One of the surprisingly highest contenders on our list of most-listened to albums of the year. Frankly, in a year of mundanity and low spirits, Maddie & Tae brought a deliciously, frothy country-pop album filled with some really mature and thoughtful songwriting.

Stand-out Tracks: ‘Drunk or Lonely’ / ‘Water In His Wineglass’

18. HARDY – A Rock

This record has surely elevated HARDY’s career to another level. Infusing heavy-hitting rock sounds and a Southern country twang, HARDY’s debut record is a stellar pointer of things to come that embraces his more personal stories.

Stand-out Tracks: ‘A ROCK’ / ‘BOYFRIEND’

17. The Secret Sisters – Saturn Returns

The Secret Sisters collaborated with Brandi Carlile on their record Saturn Returns that offers a majestic, celestial-tinged sound and thoughtfully-crafted songwriting.

Stand-out Tracks: ‘Silver’

16. Brandy Clark – Your Life is a Record

Throughout Brandy Clark’s career she has always placed strong and thoughtful songwriting at the centre of her craft. On Your Life is a Record, she takes this a step further on her deeply introspective record that looks at the entirety of a relationship – the highs and lows and heartbreak, with a poignant and gritty analysis.

Stand-out Tracks: ‘Your Life is a Record’ / ‘I’ll Be The Sad Song’

15. Hailey Whitters – The Dream

Hailey Whitters made a huge impression with her debut record The Dream that featured whimsical, intensely thoughtful songwriting with an unusual, stunning vocal tone.This is record to stand the test of time.

Stand-Out Tracks: ‘All The Cool Girls’ / ‘Red, Wine & Blue’

14. Russell Dickerson – Southern Symphony

Russell Dickerson’s sophomore record offers a layer of maturity, delving a layer deeper than his debut record. The record also reveals yet more layers to his astonishing vocal – just listen to ‘Honey’ for proof.

Stand-Out Tracks: ‘Southern Symphony’

13. The Chicks – Gaslighter

The Chicks returned this year with their first record in over a decade and it was worth the wait. This is perhaps the most painfully intimate and personal record we have ever heard, the harmonies as tight as ever and the songwriting transcendent.

Stand-Out Tracks: ‘Tights On My Boat’ / ‘Hope It’s Something Good’

12. Brothers Osborne – Skeletons

In a year without live music, Brothers Osborne released the most bombastic and energetic record, who’s energy leaps off the vinyl grooves. It’s simply built for a live performance, showing the duo pivot and build yet again on their previous material.

Stand-Out Tracks: ‘Dead Man’s Curve’ / ‘All Night’

11. Gabe Lee – Honky Tonk Hell

A quietly understated record, Lee’s album meanders with quiet conviction, filled with songwriting that paints a vivid and compelling picture and story. Lee’s vocal is gritty and bold, with stunning instrumentation and he’ll sure as hell be one to watch in the coming years.

Stand-Out Tracks: ‘Imogene’

10. Carly Pearce – Carly Pearce

Carly Pearce’s self-titled record showcases her range to full effect from the more heavily pop-overlaid ‘Call Me’ to the heavy vocals on country track ‘Dashboard Jesus’ – the scope of Pearce is laid out here and it’s immense.

Stand-Out Tracks: ‘I Hope You’re Happy Now’ / ‘It Won’t Always Be Like This’

9. Tenille Townes – The Lemonade Stand

Tenille Townes debut record brims with a quiet confidence and understated intensity, passion and extraordinarily slick production – this is a flawless project from start to finish. Townes is only just getting started and this record is a powerful opener.

Stand-Out Tracks: ‘The Most Beautiful Things’

8. Ruthie Collins –  Cold Comfort

Ignore Ruthie Collins at your detriment – Cold Comfort is one of the most stunning, layered and complex albums we have heard in a while. Exquisite songwriting that paints a vivid and nostalgic picture, it’s phenomenally poised. 

Stand-Out Tracks: ‘Wish You Were Here’

7. Gone West – Canyons

2020 was very on brand when Gone West announced that their debut album was also going to be their only record. We were so excited about this whimsical, light-touched and joyful debut and wanted more of this California country sound.

Stand-Out Tracks: ‘I’m Never Getting Over You’

6. Kip Moore – Wild World

Kip Moore’s signature gritty sound was imbued throughout this record that delved a layer deeper and darker into Moore’s psyche, revealing his fears, regrets and deepest desires in a profoundly more mature record.

Stand-Out Tracks: ‘South’ 

5. Ingrid Andress – Lady Like

Andress has had an extraordinary year, with Grammy and CMA nominations under her belt, alongside a huge spotlight on her debut record Lady Like. Rightly so, having earned her stripes with huge pop cuts, Andress’ pop-country sound or as she deems it ’emo country’ puts into words the deepest parts of the human psyche and their attitude to love and loss.

Stand-Out Tracks: ‘More Hearts Than Mine’ / ‘Anything But Love’

4. Brett Eldredge – Sunday Drive

Do not let 2020 slip you by without hearing Brett Eldredge’s Sunday Drive that probes into the meaning of love and life and everything in between. It’s deeply soulful and offers a signpost of where Eldredge’s new sound may go – into newly powerful and profound territory

Stand-Out Track: ‘Sunday Drive’

3. Caylee Hammack – If It Wasn’t For You

Hammack is a tour de force and her debut record showcases her extraordinary, powerful vocal that brims with personality. She lays her life and her relationship history bare on this record that is both incredibly personal and universal. This is a special piece of work.

Stand-Out Track: ‘Forged In The Fire’ / ‘Small Town Hypocrite’

2. Ashley McBryde – Never Will

McBryde had big shoes to follow following her debut record Girl Going Nowhere that was a sensation. Never Will does just that, layering her delightfully vulnerable vocal with laces of rock production. It’s clever and shrewd, creating stories upon stories, artfully weaving the entire project together seamlessly.

Stand-Out Track: ‘Voodoo Doll’

1. Chris Stapleton – Starting Over

Included on Obama’s favourite music of the year – the man has taste. Stapleton releases a flawless record once again, intricate songwriting and his signature vocal – a combination that will never get old.

Stand-Out Tracks: ‘You Should Probably Leave’

The post The 20 Best Country and Americana Albums of 2020 appeared first on off the record.